It can be difficult…this writing palaver. Like an
unfulfilled childhood ambition, it pokes continually at one’s resigned frame,
asking the same questions on repeat.
This in turn, births an all-consuming belief most writers
possess. A self-assuredness which convinces you, sitting behind your desk and tapping
away at your keyboard, that you will eventually somehow, someday, make a
difference.
All this, achieved without any political authority, economic
influence or a warfare arsenal.
Just you and your chosen weapons of words, getting ready
against all hope, to touch base with the implacable dictator, the unfeeling
elite or the ordinary person on the street, who has completely tuned out, traumatised
by a desperate bid to survive their overbearing conditions.
Staring at a blank piece of paper and urging your scrambled
thoughts, to line up in an eloquent format and obey your quest to make some sort
of contact. For if what one writes, had no impact on one’s intended audience,
could one then still confidently call oneself a writer?
How does one avoid the cardinal sins of; using several words
when one would do or indulging in verboseness, when succinctness will suffice? You
see what I did there?
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Should a writer’s emotions be dripping from their
paragraphs, or is restraint a key driver in conveying a message the audience
can relate to? Why even bother about relating to one’s audience?
Is engaging with the audience, a requisite for a serious
writer? Is it in fact, just a form of lazy pandering or an indispensable trait
for any wordsmith true to his or her craft?
Must all writers be serious? Even the ones who satirise for
a living? Is a deadpan delivery more effective than parody, when the issues at
hand, are of a - shall we say - more sombre nature?
Why all these questions?
Well, it’s a lonely task….writing, that is. But one, that is guided by a certain amount of nobility, so it’s always necessary to contemplate on the ethics, as well as techniques of the art.
Well, it’s a lonely task….writing, that is. But one, that is guided by a certain amount of nobility, so it’s always necessary to contemplate on the ethics, as well as techniques of the art.
Very few writers for instance, write for no reason. They are
always trying to change something and the wind in their sails, though abating intermittently,
never stops blowing.
The fire never leaves the belly.
Writers must persevere and keep dropping their nuggets
(golden or otherwise), because in the end, all it takes is a few lines to make
contact. Yes, it could be a long, arduous road, but once contact is made, a
shift occurs and hopefully, a new day is born or at least a new consciousness
triggered.
“You write in order to change the world ... if you alter, even by a millimetre, the way people look at reality, then, you can change it.”
And that could be the hope keeping most writers going. Still hoping that; truly, one day, the pen will indeed be mightier than the sword and it would have all been worth it.
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